Tony Visconti on David Bowie, Marc Bolan, Thin Lizzy & Blackstar (#291)

Tony Visconti joins Mark Millar on the XS Noize Podcast to discuss David Bowie, Marc Bolan, T. Rex, Thin Lizzy, Phil Lynott, Blackstar, Scary Monsters, Holy Holy and the art of producing timeless records.

Best known as one of the most celebrated producers in music history, Tony played on Bowie's early records and went on to produce some of the most important albums of David Bowie's career. He also worked closely with Marc Bolan and T. Rex, worked on classic Thin Lizzy records, and remains a vital part of Bowie's musical legacy through Holy Holy.

In this conversation, Tony discusses Holy Holy's Final Tour – A Celebration of Bowie. He reflects on keeping Bowie's music alive on stage, why he still practises bass every day at 82, and what performing gives him that producing doesn't.

Tony also opens up about the craft of production — what a great producer gives an artist, how he listens to a song in its earliest form, and why vocal performance is so important. He shares a brilliant story about Bowie recording "Where Are We Now?" in one take, and explains how they kept the surprise return of Bowie's music completely secret.

The conversation also explores Tony's long creative relationship with Bowie, from The Man Who Sold The World and Heathen to Blackstar and Scary Monsters. Tony discusses Bowie's voice, his constant reinvention, the secrecy around his later recordings, the creative vitality of Blackstar, and why Scary Monsters became his favourite Bowie album to work on.

Elsewhere, Tony looks back on Marc Bolan and T. Rex, explaining the difference between Bolan's fast, instinctive studio approach and Bowie's more meticulous creative process. He also shares memories of working with Thin Lizzy and Phil Lynott, describing Phil's presence in the studio, his bass playing, and the brotherhood within the band.

Tony also talks about the Bowie archive, Glenn Gregory singing Bowie without impersonating him, what younger artists should understand beyond Bowie's image and fashion, and what it means for Holy Holy to keep Bowie's music alive with love.

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