TV/MR Retrospective: Lee Van Cleef (With Logan)

Today Matt & Todd saddle up with (not Wolverine) Logan for a retrospective on one of cinema’s most iconic, sharp‑eyed but little-discussed legends: Lee Van Cleef.

Few actors have ever done more with a squint, a silhouette, or the simple act of entering a room. Lee Van Cleef embodied a whole cinematic archetype. From Westerns to war films to Italian genre oddities to 80s action pulp, his career is a treasure full of gems any actor would be proud of.

This episode explores the major stops along that trail, to name a few that we mention:

High Noon (1952)

Van Cleef’s film debut, silent but unforgettable. Even without dialogue, he stands out—those cheekbones and that stare do half the acting for him. A small role, but the beginning of legend.

For a Few Dollars More (1965)

The real turning point. As Colonel Douglas Mortimer, Van Cleef becomes a full‑fledged Leone gunslinger. He was cool, lethal, and unexpectedly soulful. He matches Eastwood beat for beat, proving he wasn’t just a villain, but a presence.

The Good, the Bad, and the Ugly (1966)

Angel Eyes. One of the greatest villains in film history. Van Cleef’s performance is all precision: calm, polite, and terrifying.

The Big Gundown (1966)

A masterpiece of the Spaghetti Western era. Van Cleef’s Jonathan Corbett is a bounty hunter with a conscience, and the film gives him room to be complex, conflicted, and commanding. This is peak Van Cleef—charismatic, dangerous, and magnetic.

The Big Showdown (1967)

A looser, more playful follow‑up to Gundown, showing Van Cleef’s ability to shift gears without losing his edge. He’s still the coolest man in the room, but now with a wink.

Barquero (1970)

A criminally underrated American Western and one of Van Cleef’s best roles. As Travis, the ferry‑man who becomes the last line of defense against a gang of killers, Van Cleef is gruff, stubborn, and absolutely riveting.

This is the movie that proves he wasn’t just a European Western icon—he could carry a gritty American frontier story with equal force.

If you watch only one deep‑cut Van Cleef film, make it Barquero which features a tremendous cast with stellar performances including the always great Warren Oates and Forrest Tucker.

Escape from New York (1981)

Snake Plissken may be the star, but Van Cleef’s Hauk is the heavy with a steel core. Older, grayer, but still radiating authority.

Code Name: Wild Geese (1984)

Pure 80s Euro‑action pulp. Van Cleef brings gravitas to a movie that desperately needs it, elevating the mercenary‑mayhem with that trademark “I’ve seen everything and survived it” energy. One of the most action-packed endings you'll see with a lifetime of pyrotechnics in one scene.

The Master (1984, TV Series)

Van Cleef as a ninja master. On television. In the 80s.

Is it absurd? Yes.

Is it terrible? Actually, no. Its really just fine 80s cheese.

He brings sincerity to a role that could’ve been pure camp, and the result is a cult oddity that’s impossible not to enjoy.

Plus:

Ride Lonesome, Sabata, The Magnificent Seven Ride, The Octagon

Lee Van Cleef never phoned it in, even in the wildest genre films.

He could be heroic, villainous, or something intriguingly in‑between.

He had a face that told stories before he spoke a word.

He elevated everything he touched—from masterpieces to B‑movies to TV curiosities.

If you know, you know. If you don't, find out via some of the best western and action films you missed

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